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2017년 3월 26일

I try to capture the feelings ...

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January. 2006. Hye Ja Moon

*I try to capture the feelings of the moments such as flashes of lightning or the sky trembling.  My brush strokes begin when something inside me wiggles under the unconsciousness.  It could be a hunger for or against reality, or sometimes a romance beyond expression.  The refreshing jolt given by a modern jazz play of a big band or a dissonant concert of a contemporary orchestra corresponds with somewhat energy. The energy could be a figure of cosmos like a vast meadow, rough mountain range, and plants.  It also could be an imaginary space.

*Doesn’t Nature rhyme as music does? : High mountains and flat field, green leaves and red petals, and still water and sudden falls.  

*My feelings run along the rhythm of its own every moment, and I concern the rhythm of the colors on the canvas, which run along the rhythm not so hot or cold.  And the music follows….

January. 2006. HyeJa Moon

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  • Admin
    7월 26일

    *My eyes capture the flashy light that goes across in a still and gravity-free silence. And I remember all the traces of the light, and take each particle of it to the canvas, as if ksana(the very short moment of time in Buddhism) is eternal. Could viewers understand this work? I hope every brush stroke of mine will catch the sight of the viewer. My last challenge is on. As Mattisee filled his works with passionate colors, I fill my lights in the canvas with bright colors. Also, I try to portray the instant light that I experienced with only dots, lines, faces and colors of the basic elements of painting just like Mondrian did. Without my knowledge, my hand releases the brush when my eyes are restored to serenity facing the captured moment on the canvas.
  • Admin
    1월 1일

    The intense light source disturbed the natural harmony with the rays… What should I do? … I hesitated for a second when I emptied the light source off the center of the paintings. After all, I made a right decision. I continued a new change in the light series. I am proud of myself in a plastic way of expressing lights without describing the intense light source. In the meantime, I think I am blessed about coming across the philosophy of off-loading. The shiniest moment flies away with a flash, but calm emptiness stays much longer and brings more… 12/26 2018 Hye Ja Moon
  • Admin
    2018년 11월 1일

    Hyeja Moon, Artist’s Note 2018. Oct. 26 Offloading is making room for something new. I, offloading the intense light source, leave the center and fill it with my gaze, my imagination, and my pleasure for a long time. I leave the center without description unlike painting the surrounding lays of light painstakingly. The unoccupied room embraces the world of imagination. And isn’t the space the light itself! Because the empty space is going to be filled with various imagination of the world.