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2017년 3월 26일

The fervor of the strokes with a slender brush and, dotted..

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The fervor of the strokes with a slender brush and, dotted lines

I was influenced by the dotted lines in by Piet Mondrian.  I thought that I would like to draw such free dotted lines, now I have had that expression.

I was fascinated with the rhythmic dotted-lines that Mondrian expressed feeling like to dance while painting.  Also, the dotted lines on the road always get me some kinds of freedom.  As well as I try to represent the fullness of my joyful energy through the brush strokes, such fullness of joyful energy in the works should be shared with the viewers.

While listening to the music, I get relaxed. As the music relaxes my physical tension and harmonizes my mental stress, I hope that I express the harmony of the tension and the relaxation that is, moderation and freedom, through my paintings in the same way.

I draw a number of dotted lines with a slender brush that characterize my paintings.  Even though it requires a great deal of concentration, the process of my work is my trend and distinct feature.  All the time I paint the canvas feeling like drawing with a slender brush.

When my physical energy is elated, I take advantage of the subtle tones of the contemporary music and its harmonics, and use them onto the composition of my paintings.  That is why my paintings are the dynamic representation of self-control and freedom.

The traces of the slender brush strokes that my dynamic breath has caused are the potential energy of my paintings.  That is the blessing that can only be given by the result of the automatism.

Hyeja Moon, Jan 2015

최근 게시물
  • Admin
    7월 26일

    *My eyes capture the flashy light that goes across in a still and gravity-free silence. And I remember all the traces of the light, and take each particle of it to the canvas, as if ksana(the very short moment of time in Buddhism) is eternal. Could viewers understand this work? I hope every brush stroke of mine will catch the sight of the viewer. My last challenge is on. As Mattisee filled his works with passionate colors, I fill my lights in the canvas with bright colors. Also, I try to portray the instant light that I experienced with only dots, lines, faces and colors of the basic elements of painting just like Mondrian did. Without my knowledge, my hand releases the brush when my eyes are restored to serenity facing the captured moment on the canvas.
  • Admin
    1월 1일

    The intense light source disturbed the natural harmony with the rays… What should I do? … I hesitated for a second when I emptied the light source off the center of the paintings. After all, I made a right decision. I continued a new change in the light series. I am proud of myself in a plastic way of expressing lights without describing the intense light source. In the meantime, I think I am blessed about coming across the philosophy of off-loading. The shiniest moment flies away with a flash, but calm emptiness stays much longer and brings more… 12/26 2018 Hye Ja Moon
  • Admin
    2018년 11월 1일

    Hyeja Moon, Artist’s Note 2018. Oct. 26 Offloading is making room for something new. I, offloading the intense light source, leave the center and fill it with my gaze, my imagination, and my pleasure for a long time. I leave the center without description unlike painting the surrounding lays of light painstakingly. The unoccupied room embraces the world of imagination. And isn’t the space the light itself! Because the empty space is going to be filled with various imagination of the world.